![]() We found that the controls were sticky in a few places such as Max Payne 3’s new cover system, reminiscent of Mafia 2. At times, the game even switched to rather impressive camera rides, though their merit is arguable in light of the high degree of violence. The series’ trademark Bullet Time is back and produced spectacular moments. We found this change to be acceptable even though longtime fans may disagree. Rockstar chose to sacrifice stylish cartoon sequences in favor of videos produced by the game’s graphical engine, often portraying multiple perspectives simultaneously. The soundtrack, which ranges from driving beats in a discotheque in Chapter 2 to melancholy timbres during a flashback sequence in Chapter 4, was perfectly matched to every situation. While the visuals were outstanding in their own right, they were supported by a grandiose musical selection which added much to the dense atmosphere. Textures, shadows, lighting, animations, and reflections were all state-of-the-art for 2012 and Rockstar specifically tuned the PC version to give it the latest DirectX 11 support. At times, we did find the squalls of visual effects to be overdone. The top-notch visuals proved to be excellent and did not require the use of other action highlights as employed in games like Battlefield 3 and Crysis 2. From the start, the player is immersed in a rich audio-visual experience that we found bewitching. We were first and foremost impressed with the visuals and the sound. We played four of the fourteen chapters of the game and are pleased to state that Rockstar succeeds at balancing the tradition of Max Payne with a fresh, modern approach to expanding the series. Anyone familiar with the series will recall its famous use of “Bullet Time”, a slow motion effect made famous by the Matrix movie trilogy. We fondly recall the amusing TV series, Address Unknown, featured the game world. The series features many memorable and highly specific details. James McCaffrey, the voice actor who portrays Max Payne, lends his deep voice to the story sequences to create a scary, artistic atmosphere that has remained unsurpassed by most any other game. The eponymous protagonist Max Payne is a cynical, pessimistic loner who is tortured by disturbing nightmares. As a cost-cutting measure, Remedy used stylish cartoon storyboard sequences to tell a rich story about hate, betrayal, drugs, and greed. ![]() Instead of bright colors, cheery characters, and embarrassing humor, a dark and rainy New York filled with all manner of shady characters dominated the scenery.ĭeviating from standard practice amongst action games, first priority was given to the games’ story lines. In previous installments, the Max Payne series set itself apart from other games with its dark, film noir style, a stark contrast to mainstream Hollywood kitsch.
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