![]() At various times, Thomas becomes tired of hearing about it. It adds to the horror of their situation: these children never got a chance to be children.Īt numerous times in the novel, the importance of order in the Glade is spoken of. By allowing the Gladers to employ "adult" language without themselves being adults or risking censorship, Dashner is able to place these teenagers in perilous situations for which they are otherwise ill-prepared. The slang matches the harshness of the world the Gladers inhabit. Second, the author notes that the slang allowed the book to be read by young adults and teens without being banned by schools for offensive language. Post apocalyptic dystopian novels and films tend to take place in the near or distant future as a sort of warning of what may befall humanity if we maintain the course we are on. As posted by the author on his blog,, the Glader slang allows the reader to understand that the story takes place in a time very different from our own. Why do you think Dashner invented such terminology for them to use? How does it affect the manner in which the story is told?ĭashner's own comments on the particular lexicon of the Gladers reveals that the author had two intentions when creating it. Sometimes, you just want to hear some scientists talk shop for a minute.īut, hey, a few of those fight and chase sequences are a-maze-ing.Examine the slang used by the Gladers. In so doing, it relies on a lot of repeat devices to earn its thrills - namely perfectly timed, life-saving rescues, often from the sky. The movie has, for the most part, jettisoned many of the story’s previous science fiction elements to focus more on action. “The Death Cure” doesn’t work on every level. His commanding yet geeky portrayal is a sharp nod to “Lord of the Flies.” Another solid turn comes from Thomas Brodie-Sangster (also from “Game of Thrones”) as Newt. O’Brien never allows the proceedings to become either too heavy or too light, which is key for a young-adult action movie. His most special skill, however, is setting a film’s tone. With the “Maze Runner” series and last year’s “American Assassin” already under his belt, 26-year-old O’Brien has rapidly emerged as a very likable, but imposing action star. Plus the performances actually rise above the usual empty-headed jockishness of the genre. ![]() While a reliance on obvious feelings doesn’t make for great Oscar bait, it certainly drives a taut, wholly enjoyable action flick, such as “The Death Cure.” The characters’ motivations here are textbook simple: survival, love and friendship. The group’s journey to get back their guy is not one of great emotional or psychological complexity. Minho is being kept prisoner in the walled-off Last City, where he’s subjected to even more cruel laboratory tests by a jerk doctor played by Patricia Clarkson. But first they must rescue their man Minho (Ki Hong Lee) from WCKD’s clutches. Thomas (Dylan O’Brien) and his pals plan to sail away to an island safe-haven, hoping to escape the increasingly hostile world. “The Death Cure” starts where the last film, “The Scorch Trials,” left off. Now, those trigger-happy teens are hungry for a new life - but not before getting revenge. Desperately seeking a cure for a worldwide zombie plague, WCKD spent years inhumanely experimenting on a group of boys who have a rare immunity to the devastating virus. Here he’s Janson, leader of the evil WCKD organization (pronounced “Wicked,” these thugs could use some serious brand reinvention). ![]() But “Game of Thrones” actor Aidan Gillen has, indeed, slithered back to the third and final chapter of the “Maze Runner” film series, in which he plays a character just as vile, conniving and, well, squirmy as Petyr Baelish. Lock your doors and hide your Sansas - Littlefinger has returned!
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